By Adrian Portugal and Eloisa Lopez
MANILA (Reuters) – Jailed Philippine activist Reina Mae Nasino wanted to hold her three-month-old daughter for the last time before she was laid to rest on Friday but she could not.
Heavily armed prison officials guarding her refused to uncuff her despite pleas from her family and human rights supporters, who have decried what they described as inhumane treatment of Nasino and other mothers in Philippine jails.
“We were denied the chance to be together. I did not even see your laughter,” said the 23-year-old Nasino, who was seen crying in front of her daughter River’s tiny white coffin.
A local court granted Nasino a three-day furlough to attend the wake and funeral of her daughter.
Nasino, a member of the urban poverty group Kadamay, was arrested in November 2019 with two others for unlawful possession of firearms – charges she said were trumped up and part of a crackdown against left-leaning activists.
In April, she petitioned the Supreme Court to release her from jail on humanitarian grounds amid the coronavirus pandemic.
Nasino gave birth while in jail in July, but her baby was removed from her care and brought to her mother in August. The following month, her baby became sick and was hospitalised, prompting calls for mother and child to be reunited.
Wearing a full-body personal protective equipment suit while standing in the heat of the sun, Nasino told her baby: “I hope we will be the last to experience this.”
The solemn occasion turned chaotic as police officers in camouflage uniforms dispersed the funeral procession and told the hearse carrying the coffin to speed up, forcing mourners to run after the vehicle.
“I thought we would have a proper burial with family and friends, but I was traumatised. My other daughter nearly fainted while chasing the car,” said Nasino’s mother, Marites.
“I am so angry that we could not even give my grandchild a proper procession and we could not even play the music she liked.”
For a photo essay: https://reut.rs/3kbIirq
(Reporting by Adrian Portugal and Eloisa Lopez; Editing by Giles Elgood)
